EDINBURGH FOLK CLUB
47th Annual SONGWRITING COMPETITION
WEDNESDAY 24 MAY 2023
Entry Deadline 11pm (BST) Monday 15 May 2023
(Nov 6 2022: ... but please don't send entries just yet!)
What it is
An annual competition where you perform an original, unpublished song, up to four minutes in length at Edinburgh Folk Club, Ukrainian Community Centre, Royal Terrace, between 8pm and 10.30pm on Wednesday 25th May 2022. You pay the £5 entry fee on the night.
Prizes will be awarded on the night for the best songs, in the opinion of the judges based on the criteria below, and an extra prize is voted for by the audience.
Rules and Advice
Entry
Submit, by 11pm (BST) Monday 16th May 2022,
- an email to efc1973songs@gmail.com
- with the subject line: Edinburgh FC songwriting competition entry,
- and the following in the body of the email :
- The lyrics of your song
- The date it was completed or first performed, and any other copyright information
- The full name(s) of the writer(s). (For co-writers, the first named is the "lead author")
- The name(s) of the performer(s) on the night
-
Contact details for the “lead author” including
- Email address
- Postal address
- Phone number
Do not send attachments, nor links to online recordings.
This information will be stored in accordance with GDPR for the duration of the competition and to provide feedback afterwards.
Rules
- All entries must be submitted by email, as described above. Late or incomplete entries will not be accepted
- Each entry will be allocated a performance slot and informed by email by 11pm Wednesday 18th May 2022. If too many entries have been received, the organisers reserve the right to select entries, and will advise any rejection no later than 11pm Thursday 19th May 2021.
- The song must have been written no earlier than 1st January 2020. If you have substantially adapted an earlier unfinished song, please indicate the new content made after the above date
- The words of the song must be original. If your song is a pastiche of another song, indicate the source and whether it is still under copyright.
- The tune may be an existing traditional tune (“public domain”), but not a melody still under copyright
- The song must not have been placed first, second or third in any other competition, nor have been commercially released (sold in shops or online).
- Only one song can be entered per entrant. If you have a co-writer(s) a different person must be named as “lead author” for a second song.
- The entrant must perform the song on the night of the competition, or make their own arrangements for another singer to do so. The performers must arrive, and make themselves known to the MC, by 7.45pm
- Each performer must pay £5 entry on the evening.
- The performers must each submit, by email before the competition, up to 40 words to introduce themselves and/or their song. These words will be read out by the MC, while the performer is plugging in instruments, adjusting microphones etc. Note that time is tight: please do not add any further introductions on the night.
- Five minutes are allocated for each performer on the night, One minute for changeover and intro, four minutes for the song. If a song exceeds this, then you may be asked to stop.
- The judges' decision on the night will be final
Marking Criteria
Our judges are human and have only one minute to make comments and award marks (between 1 and 10) in each of these areas (These may be explained in more detail closer to the event). Note that the judges evaluate the song, and not the performance.
- Folk Music Genre (Does it meet expectations of a folk song?)
- Sing-ability (Might this song appeal to other singers for sessions or gigs?)
- Originality (How novel is the topic and/or the structure?)
- Lyrical content (How effective is the treatment of the subject matter?)
- Poetics (How attractive is the rhythm and sound of the language?)
- Musical Construction (melody and arrangement effective?)
Each audience member can indicate their first, second and third choice for the best song, and while the judges try to ignore the performer's skills and focus purely on the song, inevitably the audience are swayed by the performances on the night. We also invite written, constructive feedback from the audience. This is voluntary, and audience members will likely only comment where they feel they have something to say!
- What did you like about this song?
- What might improve the song?
In 2019 our judges awarded, across all criteria and songs, the following. (originally we have had only six Marking Bands, but on the night we needed some extra Marking Bands - the “almost” marks )
Marking Band | Number of times awarded |
| 0 |
| 10 (all in categories 1,2,6) |
| 9 (mainly category 2) |
| 94 |
| 40 |
| 133 (mainly categories 4,5) |
| 43 |
| 48 (mainly in categories 1,2,6) |
| 1 |
| 0 |
Advice
Below are some thoughts on the marking criteria. Note that something that scores highly in one area may, as a result, achieve a lower score in another. We are looking for balance across these criteria. The judges will also discuss these criteria between them in advance and we'll let entrants know of any improvements to the marking scheme.
- Folk Music Genre – we are open to a wide interpretation of this, but, if you are writing in an unusual genre, make sure your 40 words justifies why your song is suitable for this competition. (If you have never been to a folk club before, then try a few - understand the songs and styles that work for an audience that sits and listens attentively, as opposed to other forms of live music).
- Sing-ability – we are particularly interested in songs that might be adopted by other singers in the future. Try your song out with other singers if you can – to get their feedback and see what aspects of the song they can relate to
- Originality – this is rather intangible, but the judges will have heard many songs in their careers, and will look out for genuine innovation, while also spotting cliched words and chord structures. (There have been several songs that judges were unable to reward in past years, because they use very well-worn four-chord structures (eg I, V, Vim, F which you will know from Wagon Wheel and many others!)
- Lyrical Content – considering the topic, how fully and how well do the words explore that topic. Are any lines special, or any opportunities missed?
- Poetics – assonance, alliteration, onomatopoeic. How well do the words and melody evoke other meanings and feelings
- Musical Construction – how strong is the melody line, how novel are the chord sequences. Is the accompaniment well constructed and does it suit the topic?
All competition entries should be emailed to this address.
(The link should open in your Mail client - if not then please cut and paste: efc1973songs@gmail.com )
Replies to enquiries and further information will come from the respondent's personal email account
Choose My Company
(Words and music by Beth Malcolm (c) 2019)
October knocked you over
In November I can’t remember you being so
You being sober
October knocked you over
In November I, in November I lost you
I lost you to the wolves
I don’t know if you want me
Or if you want to run with the wolves
I don’t know if you can love me
And simultaneously run with the wolves
If you choose my company
I will bathe you in honey my dear
If you choose my company
I will bathe you in honey my dear
December I remember
Icicles forming on the wall between you and me
January, I miraculously felt the wall melting to water
And your arms were the bridge
I don’t know if you want me
Or if you want to run with the wolves
I don’t know if you can love me
And simultaneously run with the wolves
If you choose my company
I will bathe you in honey my dear
If you choose my company
I will bathe you in honey my dear
(Bridge)
February, we stuck two fingers up
To the full moon
For the first time, in a long time
I held the old you
In March
You marched right out of the woods
You brought no wolves,
You brought no wolves with you
Now I know that you want me
And you don’t want to run with the wolves
Now I know that you can love me
And simultaneously run with the wolves
And you chose my company,
And you bathed me in honey my dear
And you chose my company
And you bathed me in honey my dear
42nd SONGWRITING COMPETITION
Wednesday 6 June 2018
Results
The jury voted
1. Chris Rogers - 'Lucida'
Lucida
Lyrics and music by Chris Rogers
LUCIDA DREAMS OF MIRRORS AND LOVERS, BY THE SCORE
OF SECRET ASSIGNATIONS AND A KNOCK UPON THE DOOR
OF HAPPY EVER AFTER, THROUGH THE FAMINE AND THE FEAST
OF EVERLASTING BEAUTY AND A BARGAIN WITH THE BEAST
LUCIDA HAS HER SECRETS AND SHE LOCKS THEM ALL AWAY
LOVERS CALL AT TWILIGHT, BUT NEVER SEE THE DAY
THE SUN WILL RISE AT MORNING AND TURN ANOTHER PAGE
BUT TIME HAS LOST ITS MEANING, FOR THE GIRL WHO CANNOT AGE
BRANCHES BEG, LIKE DROWNING MEN, REACHING FOR THE SKY
YOU STARE INTO THAT POOL AGAIN, TO CATCH LUCIDA’S EYE
THE DEVIL WON’T BE TURNED AWAY, HE ALWAYS HOLDS THE ACE
THE DAWNING OF ANOTHER DAY LIGHTS UP LUCIDA’S FACE
BUT BARGAINS CAN’T BE BROKEN AND THE DEBT, IT MUST BE PAID
AND NO REFLECTED BEAUTY COMES TO LUCIDA’S AID
THE COACHMAN CALLS AT MIDNIGHT, TO CARRY HER AWAY
THE WATER HIDES A SECRET AND THE PRICE SHE HAS TO PAY
Originally from North Wales, Chris Rogers emigrated to Scotland in 1982 and has been involved with the Scottish folk scene since the 1990s. A former member of Kagan, Chris now performs solo, mixing his own compositions with songs by writers such as Graham Parker, Peter Nardini, Randy Newman and Ian Anderson, all of whom feature in his current setlist. Lucida is Chris’ third winning entry to the competition, following earlier successes with Miss Willmott’s Ghost and From Bellshill to Barcelona, having already previously won the audience trophy with The Racecourse Reds and Blues. Committed to a philosophy of “free music for free thinkers”, Chris records at home and all his material is free to download at www.soundcloud.com/topher-gilpin. CDs are also available, on request, from tartanred@btinternet.com.
44th Edinburgh Folk Club Songwriting Competition Entrants
in order of performance
Gareth Herron Masks
Beth Malcolm (1st) Choose My Company
Kevin Ferguson American Cowboy
Neil Fox Lay Your Brother Down
Ian Young (3rd) Monzievaird Hall
Kirsty Murray Rock o' Ryvoan
Matthew Elton The Key
Clare McBrien Govanhill Baths
Terry Weston Catch Me If You Can
Maureen Morris Wife and Mother
theMany The Love Temple
Bill Adair A Threepenny Bit For Me
Christopher David Rogers Who Put Bella In The Wychwood?
Fiona Mcandrew Defying Gravity
Anna Durkacz Fiddle in the Rain
Eric Sharp Kibbutz
Jim Byrne The Yellow Clock
Neil Spalding Unchain the Unicorn
Bob Knight (2nd and Audience winner) With Me Always
Hugh Hoffman New Age Man
George Machray Jingling Geordie